Representation matters
In 1992 when I was a pre-teen, I
was exposed to a wave of cinema and television that is bland by today’s
comparison but was racially progressive. Sister Act
featuring Whoopi
Goldberg was released that year. The film told the story of a black
woman who witnesses a murder and seeks protection in a convent. Dolores Van
Cartier is not your stereotypical
victim, she is sassy, bold, opinionated and black. Trapped in a convent till
her case comes to trial, she decides to put her showbiz skills to good use.
Teaching the all white convent how to sing in tune and joyfully, her
unconventional efforts are resisted at first but are slowly accepted by the
nuns and the community.
Dolores as Sister Mary Clarence
makes the Church come alive with her talent to entertain people. She is a
lapsed Catholic and an entertainer who uses her knowledge of the church and the
world to bring the Gospel to an inner city community.
The popularity of the first film
led to the development of a sequel with Lauryn Hill
and several teenage singers. Set in a high school, the plot is similar only
this time Sister Mary Clarence is brought in especially by the convent to teach
the students how to sing.
This was the first time I had
seen a black nun on screen, and her character was treated with dignity. Nuns in
films are usually portrayed as mean spirited women who delight in punishing
themselves and others. Sister Act changed the way nuns were shown, they were hesitant
to try something new but not wholly antagonistic. It was Sister Mary Clarence
who made an impression on me. Black Christian women are usually represented as
hysterical, fanatics with little touch with reality. Sister Mary is clever and
practical about her faith. This image had a deep impact on me and the way I saw
my place in the world as a black Christian woman.
That was in1992. Twenty five years
later, images of black Christian women haven’t had an edifying role to match
Sister Act. During this time I have taught at a Catholic University with
several nuns as colleagues and students. Some of them were accomplished
linguists, scholars, physicists, mathematicians, psychologists and social
workers. None of them fitted the stereotype of the nasty mean spirited woman I
have seen on screen. Most of them were from the global south and had worked in
remote parts of the world, as teachers, nurses, social workers. Some worked at
stopping human trafficking, a profession
fraught with hazards. I am proud to say I know these women who have
given their lives to Christ. I learnt a lot about selfless dedication from
them.
Yet it is a shame not to see
these women on screen. It always amazes me that celibate women should be
treated with scorn or as pitiable subjects. Sure there are problems in the
church, but that doesn’t condemn an entire religion. The erasure of Christian
women and especially women of colour on screen does a great disservice to the
achievements of one group of women.
Representation matters, because
it has the power to shape opinion. For most people the only access to the world
is their television. We often learn about minorities from what we see of them
on screen, much before we meet them. When our only exposure to a minority
community is through derogatory stereotypes, how can we let go of our biases.
Feminist author and activist Finn McKay in a
talk once pointed out that young women are not going to understand feminism of
the past when all they have been exposed to is post feminism sexism. Similarly
in a world that sees Christians and people of colour being murdered for their
faith, ironic racism and Christianity do little to help the cause.
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